The Comeback of Big-Screen Raunch: Exploring ‘Joy Ride’ and ‘Bottoms’
An audacious film necessitates audacious writing and, in the case of Joy Ride, audacious brainstorming sessions. When the comedy’s screenwriters, Teresa Hsiao and Cherry Chevapravatdumrong, were developing a sex scene involving a Theragun and a basketball, they decided to test out the sequence themselves. (Incorporating unique props required unraveling some complex physics.) Hsiao grabbed a …