Reimagining Hollywood with Richard Kind
Richard Kind, known for his roles in “Spin City,” “Curb Your Enthusiasm,” and the recent film “A Tailor Near Me” written by “L.A. Law’s” Michael Tucker (who is married to Jill Eikenberry), is making headlines. Embracing his real last name, Kind jokes, “People ask if I am kind. Yes, but I’d rather be rich.”
Speaking about the ongoing actors’ strike, Kind reflects on the evolution of the industry, from Betamax to DVDs and the introduction of residuals. However, with the emergence of cable TV and later streaming platforms, the issue of residuals becomes unclear. Now, with the advent of AI and new technology, a need for scientific expertise in negotiations arises to determine what is fair and realistic. Kind expresses frustration at the lack of transparency regarding the power dynamics in the industry.
Recalling his humble beginnings, Kind reminisces about his first audition, where he was not even a professional union member. He shares a humorous anecdote about singing from “Pajama Game” and not knowing what key to choose, leading to an impromptu duet with the audition’s director, José Ferrer. Despite not getting that job, Kind is optimistic about his future endeavors, having already secured a role in Paris, playing the character originated by the late Zero Mostel in “A Funny Thing Happened on the Way to the Forum.”
Meanwhile, as history seems to repeat itself, the film “Oppenheimer” serves as a poignant reminder of the potential societal horrors that may arise from a biased court system. Columnist Cindy Adams draws parallels between this portrayal and the indictments of former President Donald Trump, highlighting the precarious state of affairs in the country.
In the realm of entertainment, Kelsey Grammer ventures into the beer industry with his brand called Faith, named after his daughter. Grammer emphasizes the love and offering behind his beer, paralleling his passion for filmmaking. He also promotes Stage Access, a platform for on-camera introductions to various forms of entertainment, aiming to bring people back to theaters after the lockdown-induced hiatus.
Amidst these industry discussions, the SAG-AFTRA strike poses challenges for artists like Grammer, who are unable to promote their projects due to union restrictions. Grammer finds it incongruous and weird that individuals who have dedicated their lives to finding their creative voice are now being silenced. He questions the motives behind such power moves.
Shifting gears to a lighter topic, a curious anecdote emerges from Delaware City, where a business called Lewinsky’s existed on Clinton Street. It’s hard to believe, but this is no fabrication. Perhaps wearing a blue dress may have garnered a discount at this establishment, but the involvement of prominent figures like Hillary Clinton or Hunter Biden remains unknown.
As Labor Day approaches, a friend plans to celebrate by indulging in a relaxing scotch in the afternoon, followed by the company of a sexy Italian in the evening. Truly, only in New York can such unique experiences unfold.
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