Kevin Rowland’s outspokenness is surprising, while Beverly Glenn-Copeland exudes a similar vulnerability. Dexys’ latest album, “The Feminine Divine,” showcases Rowland’s Irish roots with unexpected and captivating results. Despite facing personal hardships, Rowland’s resilient spirit shines through in this fascinating and captivating work.
One of the standout tracks, “The One That Loves You,” was written during a difficult period in Rowland’s life when he was battling cocaine addiction. The lyrics reflect both his bravado and brokenness. The title track finds Rowland in a reflective mood, acknowledging past mistakes and pondering the course of his life. This introspection is relatable to many musicians of his generation.
In contrast to the more chauvinistic era when Rowland emerged in the 1980s, he now celebrates women as the true superstars and goddesses on earth. While some lyrics may sound cliché, the sincerity of the compositions shines through. Rowland’s singing has matured beautifully, still preserving his distinct Black Country accent.
“The Feminine Divine” is not solely a solo album. The contributions of multi-instrumentalists Sean Read and Michael Timothy, along with trombone-player ‘Big’ Jim Patterson, add depth and energy to the songs. When Dexys performs a career-spanning set at Dublin’s Olympia on September 25, these new songs are sure to be well-received.
In 1986, shortly after Dexys Midnight Runners’ release of “Don’t Stand Me Down,” their last album before a lengthy hiatus, Beverly Glenn-Copeland self-released his third album, “Keyboard Fantasies.” Despite its initial obscurity, the album gained recognition in 2015 as an ambient and new age classic.
Glenn-Copeland’s latest offering, “The Ones Ahead,” recorded with Indigo Rising, showcases his exquisite artistry. The opening track, “Africa Calling,” pays homage to his West African heritage with its rich textures. “Harbour (For Elizabeth),” a tender piano-driven piece, serves as a love letter to his wife. Glenn-Copeland’s vocals, filled with emotion, tug at the heartstrings.
At 78 years old, Glenn-Copeland’s vocals possess a beautifully weathered quality. Though different from “Keyboard Fantasies,” “The Ones Ahead” leaves a lasting impression, lingering in the listener’s mind long after it ends.
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