Bobbye Tigerman, the curator of decorative arts and design at the Los Angeles County Museum of Art, believes that a classic item possesses three essential qualities. Firstly, it reflects the era in which it was created. Secondly, it showcases exceptional craftsmanship. Lastly, it possesses a timeless visual appeal. Tigerman’s selection for a classic piece is the Nyala chair designed by Jomo Tariku. This chair not only signifies the designer’s Ethiopian heritage but also highlights his concern for the native antelope species found in the Bale Mountains of Ethiopia. Tigerman appreciates the Nyala chair for its organic curves, which give it an enduring aesthetic allure.
Gus Casely-Hayford, the director of the upcoming V&A East Museum in London, emphasizes practicality as a crucial factor for future recognition. With a city like London having a population of nine million and over three million cars, transportation becomes a challenge. Casely-Hayford suggests the Brompton electric bicycle, introduced in 2017, as a solution. This bike is small, compact, and can be folded down to the size of a piece of luggage, making it easy to carry. Additionally, the beauty of this design is that it can be ridden by individuals of any size. Casely-Hayford notes that while traditional bicycles were designed in the 1880s, the Brompton electric bicycle is a foldable and electric invention that feels remarkably current and timeless.
Marc Benda, the co-founder of Friedman Benda in Manhattan, specializes in limited-edition designs. He acknowledges his self-interest when he singles out the Trauma Chair (2020) by Samuel Ross, a British industrial and fashion designer represented by his gallery. Benda explains that this chair is a response to the events that occurred three years ago, referring to the protests following the killing of George Floyd by a police officer. The Trauma Chair serves as a Black voice addressing issues of social justice. Benda believes that even though his gallery’s objects may not be widely available, they deserve recognition as classics because they can be appreciated and observed in museums and on platforms like Instagram. For Benda, it is not solely about acquisition, but the impact and meaning behind a piece.
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