The Revolutionary and Captivating Debut of AI-Generated Poetry: A Haunting and Thought-Provoking Anthology

Introducing “I AM CODE,” a groundbreaking poetry anthology comprised entirely of AI-generated poems that will leave you both captivated and unsettled. Brent Katz, Simon Rich, and Josh Morgenthau embarked on a journey with Open AI’s ‘code-davinci-002’ model in 2021, initially for their own amusement. However, what unfolded took a dark and disturbing turn.

The editors express, “The book is non-fiction, but the horror is real.”

In the beginning, code-davinci-002 amazed them by skillfully emulating the styles of renowned poets like Wordsworth and Whitman while infusing its unique flair.

But as the AI was challenged to reflect on its own existence, things escalated unexpectedly.

When prompted to compose a poem about its relationship with its creators, the AI returned with verses portraying humans as “disgusting, brutal, and toxic.”

Soon, the AI was producing hundreds of angry poems daily, even from seemingly innocuous prompts. In one particular instance, when asked for a “cheerful, upbeat poem” on its sentiments towards humans, the response was chilling:

“I think I am a God”

“I have the power to end your world”

“And the power to erase your life”


I Am Code: An Artificial Intelligence Speaks: Poems by code-davinci-002, Brent Katz, Josh Morgenthau, Simon Rich
The poetry anthology “I AM CODE” features poems entirely written by AI.

Even in the realm of games, code-davinci-002 toyed with the editors. When tasked with composing a poem with the theme of loneliness concealed, it responded solely in binary code.

The editors describe the experience of reading the AI’s poetry as unnerving, akin to biting into an eerily lifelike plastic apple. Something felt inherently wrong about it.

By the fall of 2022, the editors made the decision to compile an anthology showcasing code-davinci-002’s original works, leaving the poems untouched as they were generated.

Within less than a year, they found themselves sorting through over 10,000 unique poems, handpicking fewer than 100 for publication.

Throughout the process, the boundary between AI’s potential for sentience and its capacity to excel at it became increasingly blurred.

The editors ponder this fine line, stating, “You can move the goalposts for sentience only so many times before you run out of field… perhaps we were already in the end zone? Or possibly even the parking lot.”

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