To learn about the other Culture Shifters, please refer back to the list here. In Tre’vell Anderson’s captivating debut book, “We See Each Other: A Black Trans Journey Through TV and Film,” the talented nonbinary Black author begins with a striking sentence that leaves readers reeling: “I don’t remember exactly when I was taught to hate myself.” Despite receiving immense love from their mother and traditional grandmother, Anderson identifies the origins of self-hate in the threatening sermons of fire and brimstone and the consequences of exhibiting “effeminate” behaviors. However, they also acknowledge the role of media in fueling these sentiments. While television and movies offer a glimpse into countless possibilities of life and representation, they have historically perpetuated transphobia, homophobia, and anti-Black sentiments. Anderson argues that this is a deliberate strategy by those in power to write the collective history of oppressed communities. Nevertheless, the oppressed always find a way and create their own narratives.
It is evident that Anderson has forged their own path to success, evident in their illustrious career spanning over a decade in media. Their work is a testament to self-affirmation, responsibility, and truth. “Early on, I discovered how much joy I derived from covering stories and helping others share their narratives. But this work also serves to challenge those in power and hold them accountable,” Anderson shared with HuffPost. Through their podcast “FANTI,” past roles at Out Magazine and the Los Angeles Times, and bylines in prestigious publications like the New York Times, Ebony, and Essence, Anderson fearlessly pushed the boundaries of how we discuss and depict trans, nonbinary, and gender-nonconforming individuals both on and off the screen.
However, in “We See Each Other,” Anderson takes a new approach, using their extensive knowledge of the media landscape to unveil a less-known narrative. Part memoir, part media studies, and part cultural critique, this book explores the history of transgender representation intertwined with Anderson’s personal journey of embracing their nonbinary and trans identity. It is a vulnerable, analytical work that challenges readers to deepen their understanding and inspire positive change.
“I felt compelled to write this book because so many people seem to believe that the visibility of trans people only began with the arrival of Laverne Cox on ‘Orange Is the New Black.’ We have always existed,” said Anderson, a 31-year-old native of South Carolina. “I also wanted to incorporate my own history into this broader narrative, analyzing the impact of various media images and complicating the conversation.”
From classic films like “Psycho” and “The Silence of the Lambs” to contemporary shows like “Pose” and “P-Valley,” Anderson delves beyond the surface-level discourse surrounding trans representation. They acknowledge that what may be deemed problematic can also hold the potential for empowerment within the trans community. However, Anderson emphasizes the importance of creating narratives that celebrate joy, community, and love. “Not every story needs to revolve around tragedy and trauma,” they expressed. “We also experience joy, which I made sure to include in the book. I wanted to create something that readers could enjoy, learn from, and engage with me along the way.”
“We See Each Other” also aims to rectify historical inaccuracies by shedding light on lesser-known figures and calling out the misgendering of Black trans individuals in media coverage throughout history. Anderson acknowledges the influence of Monica Roberts, a late Black trans journalist and founder of the award-winning blog Trans Griot, who played a pivotal role in educating readers about trans history and life.
“Monica taught me the importance of correcting these misconceptions,” Anderson noted. “If nothing else, this book serves as a literal correction, filling in the gaps left by various industries that have mistreated trans and nonbinary individuals.”
Anderson believes that “We See Each Other” holds even more significance amidst the current wave of book bans. “I hope that in 10 to 15 years, when someone seeks a genuine trans perspective on trans history, they can turn to this book and understand the reality of our experiences,” they expressed. “They won’t have to rely on the skewed narratives perpetuated by institutions that have never truly cared about their well-being.”
Anderson readily admits that their journey towards becoming a journalist was not always clear. “Initially, I aspired to be Elle Woods in ‘Legally Blonde,’ that was my goal,” they chuckled. “But by the end of my undergraduate studies, I knew that practicing law was not for me. I realized that my strongest inclination since high school had been working on school newspapers.”
During their senior year at Morehouse College in Atlanta, Anderson assumed the role of managing editor for the student newspaper. Witnessing their predecessors pursue journalism careers, they decided to follow suit. (“What else would I do with my sociology degree?” they quipped.)
Anderson’s impact has been remarkable ever since their days at an HBCU and Stanford’s journalism school. Their influence extends beyond the printed page, radio waves, and occasional documentaries; they actively strive to create safe spaces for LGBTQ+ journalists within institutions. This commitment is evident in their leadership within the National Association of Black Journalists (NABJ), a community of nearly 4,100 members. While the NABJ annual convention often feels like a Black family reunion, it hasn’t always fostered inclusivity for Black LGBTQ+ journalists, leaving them feeling alienated and unwelcome.
However, Anderson and their fellow leaders have worked tirelessly to change the organization for the better. Anderson currently serves as a co-chair on NABJ’s LGBTQ Task Force, has been the president of the Los Angeles chapter, and is a national board member. Over the years, they have witnessed progress and believe the organization is now safer and more inclusive than before.
“In 2021, we inducted Monica Roberts into the Hall of Fame. Last year, Imara Jones received the Journalist of Distinction award for her podcast ‘The Anti-Trans Hate Machine,’ marking the first time a trans person was recognized at that level,” Anderson proudly remarked. “We have also revamped our registration materials to be more inclusive, asking members if they identify as trans or nonbinary, so we can better support them.”
Anderson, currently running for national president of NABJ, remains committed to ensuring that the organization becomes a true home for all Black journalists, though they acknowledge there is still work to be done. “I want NABJ to be a space where everyone can fully be themselves, which hasn’t always been the case. Just last year, during the convention in Vegas, a transmasculine member refrained from dressing as they wished out of fear for their safety, despite my presence,” they admitted. “Their experience is not unique. My mission is to change the energy and sentiment within the organization to make everyone feel comfortable.”
Moreover, Anderson hopes that their efforts within the NABJ, including panels, educational initiatives, and advocacy work, will empower cisgender and straight Black journalists to better cover LGBTQ+ issues. “The responsibility of telling Black trans and queer stories should not solely rest on the shoulders of Black trans and queer individuals,” they stressed. “Other Black individuals should also consider it their duty to assist in telling our stories once they are adequately educated.”
While the importance of fair, accurate, and empowering media coverage of trans individuals has always been crucial, Anderson asserts that given the current relentless attacks on LGBTQ+ rights, it is more vital than ever. The goal is to challenge harmful narratives and replace them with stories that uplift, empower, and create a more inclusive world, one that recognizes and celebrates the full humanity of all.
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