Review of Macbeth at Shakespeare’s Globe: An Immersive Experience of Grief and Violence

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A man stands on stage looking anxious, his hands covered in blood, which is also staining the front of his shirt
Max Bennett as Macbeth © Johan Persson

“To be thus is nothing, but to be safely thus,” murmurs Max Bennett’s Macbeth as he watches his friend Banquo disappear into the Globe’s crowd, never to return. This autumn, a number of other ambitious leaders will carve their path to power on stages across the UK.

From David Tennant at London’s Donmar Warehouse to Ralph Fiennes touring custom-built theaters in Liverpool, and from Reuben Joseph in an RSC production in Stratford-upon-Avon to Mike Noble in English Touring Theatre’s new show, there is a lot of excitement in the Theatre world. The story of determined leaders unfit for the position they seek resonates strongly at this time.

Abigail Graham’s production at the Globe presents a world of war and grief, divided between the male-dominated fighting domain and the women’s domestic sphere. The design by Ti Green envelops the Globe’s columns in gray cloth. Both Macbeth and Lady Macbeth are portrayed as damaged individuals, with Macbeth appearing in black paramilitary attire and Lady Macbeth in teal pajamas cradling an empty blanket symbolizing the recent loss of a child.

This loss weighs heavily on the characters, evident in Lady Macbeth’s anguished plea to be unburdened by her femininity. Macbeth’s brutality, likewise, is fueled by a desire to fill a void and confront a future without heirs. Children are a constant reminder of Macbeth’s circumstances and are especially vulnerable in this perilous, paranoid environment.

Amidst the chaos, moments of domesticity stand out, such as Banquo distracting his son with a mobile phone or Lady Macduff tenderly caressing her pregnant belly. These innocent gestures sharply contrast with the bloodshed of war. Macduff’s family massacre serves as a turning point in the tragedy.

A woman wearing a tiara leans back against a table, looking distressed
Matti Houghton as Lady Macbeth © Johan Persson
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