Priscilla Presley’s Heartfelt Response to Sofia Coppola’s New Biopic on Elvis

In a surprising turn of events, two iconic Elvis Presley movies are set to be released consecutively. However, what sets them apart is the stark contrast between the sensibilities of the two filmmakers involved: Baz Luhrmann, director of “Elvis” (2022), and Sofia Coppola, who premiered “Priscilla” at the Venice Film Festival. While Luhrmann is known for his extravagant and visually stunning spectacles, Coppola focuses on capturing the intimate aspects of her characters, particularly young women yearning for genuine connections.

Coppola’s exploration of these themes is evident in movies such as “Lost in Translation” (2003) and “Marie Antoinette” (2006), and “Priscilla” reflects her deep preoccupation with girlhood. During a news conference, Coppola humorously remarked, “I don’t know why I keep coming back to it. Hopefully, I’ll grow up soon.”

Adapted from the memoir “Elvis and Me,” Coppola’s film delves into the story of Elvis and Priscilla’s relationship. The narrative begins when Elvis, serving in Germany for the military, encounters Priscilla, whose father has been newly stationed there. Priscilla feels isolated and homesick, longing for the life she left behind in the United States. Surprisingly, Elvis, despite his superstar status, finds solace in her company.

What adds complexity to the story is the fact that Priscilla is only 14 years old. The movie does not shy away from this fact, as Elvis himself acknowledges it at a party where they first meet. However, their age difference does not hinder Elvis’ pursuit of her. He even places considerable importance on Priscilla’s virginity. As their relationship progresses, Elvis exerts control over Priscilla, dictating her appearance and behavior, and insisting on keeping their connection a secret despite being publicly involved with other women.

Similar to “Marie Antoinette,” where the young protagonist feels the emptiness of a lavish lifestyle, Priscilla finds herself discontented despite living a life she once yearned for. The alluring star she fell in love with often displays cruel and manipulative behavior. Priscilla must find ways to assert herself, resorting to wearing vibrant prints whenever Elvis upsets her.

Playing the role of Priscilla is the talented emerging actress Cailee Spaeny, while Jacob Elordi, known for his role in “Euphoria,” takes on the challenging task of portraying Elvis a year after Austin Butler’s acclaimed performance. Elordi’s portrayal is commendable, and the choice to avoid extravagant musical numbers in the film enhances the focus on Priscilla’s perspective. Whenever glimpses of Elordi’s Elvis singing onstage are shown, the camera deliberately captures him from behind. This intentional decision sets “Priscilla” apart from Luhrmann’s film, as it shifts the focus away from Elvis as a performer, emphasizing the impact of his absence on Priscilla.

It’s worth noting that the absence of significant musical scenes within the movie is due to Presley’s estate not supporting the film or authorizing the use of his songs. This comes as no surprise since Luhrmann’s approved biopic portrayed the singer as an innocent pawn controlled by his manager, Colonel Tom Parker, whereas “Priscilla” portrays a more manipulative side of Elvis himself. This film presents an unvarnished depiction of a charismatic man who entangled a young girl in his world and refused to let her go.

During the Venice news conference, Priscilla attended in support of the film, though she watched from the front row of the audience rather than joining Coppola and the cast on stage. However, when asked what moved her the most about “Priscilla,” she took the mic herself.

Presley expressed how difficult it was to watch a film about her life and love. She commended Coppola, acknowledging her thorough research. The moment that resonated with her the most occurred at the end of the film, after their marriage had crumbled, when Priscilla finally found the strength to stand on her own.

Presley revealed, “Yes, I left, and it wasn’t because I didn’t love him. He was the love of my life. It was the lifestyle that was so difficult for me, and I think any woman can relate to that.”