Oslo’s Museums Puts Norwegian Art and Bubbles the Chimp in the Limelight, Going Beyond Munch

This month marks the thirtieth anniversary of the opening of the museum in Oslo that houses the collection of Hans Rasmus Astrup, a Norwegian shipping magnate and art collector. When the museum first opened, it faced criticism and skepticism from those who accused Astrup of creating an “ego-seum” and questioned his intentions. However, as a new exhibition opens to celebrate Astrup’s life and the museum’s anniversary, he is now credited with transforming the Norwegian art scene.

At a memorial service delayed by the pandemic, Queen Sonja of Norway paid tribute to Astrup, recounting his belief that art should be shown and experienced in order for people to learn from it. The collection at the museum includes works by acclaimed artists such as Jeff Koons and Norwegian artist Børre Sæthre. However, what sets this museum apart is the unique model in which the collection was donated in its entirety to a foundation with a 2.6 billion kroner endowment to ensure its perpetuity.

Under the leadership of Solveig Øvstebø, the museum’s first female director, the collection has expanded to include more diversity and embrace living artists. Øvstebø aims to challenge the traditional perception of Norwegian art, which is often associated with Edvard Munch. She believes that the museum’s role is to show a wider range of art and ensure that it becomes visible to more people.

As part of this approach, Øvstebø has acquired works by Norwegian artists such as Vanessa Baird, whose watercolor images inspired by her role as a caregiver have replaced one of the museum’s star pieces by Damien Hirst. Øvstebø also wants to give a voice to artists who may not have had much recognition, such as the late textile artist Synnøve Anker Aurdal.

While some works may not be shown, Øvstebø hopes that the audience will appreciate the ones that are displayed, including Børre Sæthre’s installation “My Private Sky,” which is a highlight of the exhibition. Despite the challenges faced by artists in finding affordable space in Oslo, Øvstebø believes that the Astrup Fearnley Museum plays a vital role in promoting and supporting the arts.

In conclusion, the Astrup Fearnley Museum in Oslo has made a significant impact on the Norwegian art scene under the guidance of Solveig Øvstebø. Through its diverse collection and focus on both established and emerging artists, the museum challenges traditional perceptions of art in Norway and aims to make art accessible to a wider audience. Its unique funding model ensures the museum’s long-term sustainability and its role as a prominent institution in the art world.

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