To enhance my smartphone photography skills, I sought advice from renowned National Geographic photographer Kiliii Yüyan. Yüyan highlighted the advantage of using phones, which are compact and lightweight, enabling us to capture unique angles that are not easily seen by most people. Similar to taking a selfie, he recommended exploring different perspectives and angles by moving the phone around. Implementing these techniques can significantly improve the quality of our shots.
When I completed my photography degree, I believed that an iPhone camera couldn’t match the capabilities of a professional camera. However, my perception changed during my years as a travel reporter, documenting my experiences and the places I visited. I have come to realize that my smartphone camera is an invaluable tool that I need to master.
Turning to Kiliii Yüyan, an accomplished photographer who has documented life around the globe, including the diverse environments of the Amazon and the Arctic, I received four essential tips for improving my smartphone photography skills. These tips included being patient, taking numerous shots, and getting closer to the subject. While most of these tips can be applied to any camera, one tip struck me as particularly suited to smartphone photography.
Yüyan advised treating all photos like selfies and leveraging the versatility of smartphones to capture angles that are often overlooked. Although it may be habitual to hold the phone at eye level, Yüyan suggested observing skilled selfie-takers who move their phones to discover captivating angles. The same principle applies to other types of photography. For instance, he explained that capturing a child from a top-down perspective can be mundane, whereas angling the phone below the child’s eye level can provide a more intriguing glimpse into their personality and how they perceive the world. This revelation resonated with me, as I recognized that my favorite photos of my dog, Miley, were those captured from her perspective. Shooting from above failed to convey her unique character. Conversely, by aiming the camera upward at Miley’s face, I witnessed how she interacted with her surroundings, utilizing them to project a larger presence, such as perching on a rock near a creek. These captivating shots were all taken with my smartphone, as my other cameras were too cumbersome to achieve the low angles without touching the ground.
Inspired by this newfound knowledge, I began experimenting with this technique while taking more photos with my phone. I discovered that capturing Miley from her level truly exhibited her personality. Comparing two images, the first provided a clear depiction of her position, while the second, utilizing Yüyan’s advice, showcased her relaxed demeanor — what I affectionately call her “pet my belly” face. The second image’s angle, with her arms curled and an off-guard expression, added a sense of vulnerability. Encouraged by this successful outcome, I delved into my camera roll, seeking opportunities to transform mundane angles into captivating shots. As a drummer, I often capture photos of my drum kit from eye level while performing on stage. However, during a recent gig, I decided to place my phone on the ground instead of holding it in my hand. This resulted in an image that portrayed the kit from a unique angle, offering a glimpse into the cramped space and layering of drums. The difference was striking, and it emphasized the benefits of exploring alternative angles.
Yüyan’s advice also reminded me of another intriguing subject I had photographed with my phone — the iconic Rockefeller Center Christmas tree in New York City. Initially, I had captured it from an ordinary, eye-level perspective. Dissatisfied with the outcome, I decided to attempt a lower angle. Given the compact size and lightweight nature of my phone, it was easy to position it beneath foliage, pointing it upwards towards the tree. The resulting image offered a fresh perspective, incorporating layers of smaller plants and the surrounding buildings, providing a better understanding of its scale, an element that was previously missing.
Through practical applications, I have discovered that Yüyan’s tip regarding angles is applicable to any subject, be it animals, landmarks, or instruments. I am excited to expand my repertoire and witness the creative possibilities that lie ahead as I continue to explore new angles and perspectives.
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