Adam Flood’s debut hour showcases his comedic prowess. His joke about his own haircut, which he has told on multiple occasions, continues to elicit laughter with its timeless humor.
In “Remoulded,” Flood, a native of Stoke-on-Trent, presents a unique twist on musical comedy autobiography. Armed with an Auto-Tune pedal, he skillfully incorporates songs and various character impersonations, taking us on a whirlwind tour of his different identities: from a teenage weed dealer to an indie band member, a startup enthusiast, and finally, a comedian.
The standout moment of the show is a song reminiscing about Flood’s wild times at Leeds festival during his teenage years. Additionally, he treats the audience to a snippet of one of his indie band’s old tracks. The hour is interspersed with entertaining sketches, including impressions of his co-workers’ secret weekend activities, a lively train conductor making announcements, and a comedic take on ASMR videos.
Flood’s performance is highly physical, incorporating impressive high kicks and a wide range of facial expressions. From mimicking a Henry Hoover to portraying a vibrating mixologist and an overzealous drain unblocker, his energy is palpable throughout the show.
While Flood covers different seasons of his life, at times, it feels like we are only scratching the surface. He briefly mentions serious issues at his school without exploring them further. Some moments of crowdwork slow down the momentum of the show. Although “Remoulded” is filled with comedic gems, smoother transitions between them would enhance the overall experience.
One of the highlights is Flood’s insightful commentary on the authenticity of comedy, cleverly presented through a meta musical finale. This ending leaves a lasting impression and establishes Flood as a multifaceted comedic talent to watch out for.
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