NEW YORK — “The I’ve Got Needs Ballet,” as I may call it, is the highlight of “Danny and the Deep Blue Sea,” a 1983 raw portrayal of Bronx love by John Patrick Shanley. In this production directed by Jeff Ward, Aubrey Plaza and Christopher Abbott break free during this passionate, synchronized wrestling number. This serves as a poignant expression of the rage, anxiety, and desire found within the pair of wounded young souls in the play.
Notably, this brings the stage debut of Plaza, recognized for her work in “Parks and Recreation,” “The White Lotus,” and “Emily the Criminal.” Her choice to venture into off-Broadway theater as opposed to the traditional London productions often pursued by TV celebrities showcases her courage and commitment to the craft.
Plaza’s portrayal of a shattered woman who forms a deep connection with a troubled man in a dingy bar is profound. Paired with Abbott’s convincing embodiment of Danny, the play presents an emotionally intense 80 minutes filled with screams, tantrums, sex, and recriminations.
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While the production delivers moments of high-stakes intensity, it sometimes overshadows subtler emotional nuances. The abrupt shifts from aggressiveness to tenderness and back again alongside complex transitions are challenging, leaving the play with absorbing, yet unfulfilled moments.
Despite the intense interactions between characters, the play does not strike a poignant chord, leaving its pain superficial and detached from the deep, emotional themes it wishes to explore.
Ward’s direction and the actors’ performances can be perceived as unfinished business — full of potential but failing to deliver a truly compelling theatrical experience.
Despite the play’s shortcomings, the strength of Plaza and Abbott’s portrayals is evident, adding a layer of depth to the otherwise unfulfilled production.
Danny and the Deep Blue Sea, by John Patrick Shanley. Directed by Jeff Ward. Sets, Scott Pask; costumes, Arianne Phillips; lighting, John Torres; sound, Kate Marvin; movement, Bobbi Jene Smith and Or Schraiber. About 80 minutes. Through Jan. 7 at Lucille Lortel Theatre, 121 Christopher St., New York. dannyandthedeepbluesea.com.
