The film “Ant-Man and the Wasp: Quantumania” failed to meet expectations and should have been revised from the beginning. It felt like a lackluster adaptation of Disney’s animated film “Strange World,” and was largely a standalone story. The movie received the lowest scores on Rotten Tomatoes among all the Marvel Cinematic Universe (MCU) films. In this installment, Scott Lang, his daughter Cassie, Hope Van Dyne, and her parents Janet and Hank get trapped in the Quantum Realm, which seems like an easily avoidable situation for these intelligent characters. The plot unfolds like a filler episode of “Doctor Who,” with the heroes searching for a way back home. Unfortunately, much of the film focuses on immature humor, such as a creature fixated on Scott’s holes or Janet’s sexual encounters while trapped. The supposed father-daughter dynamic between Scott and Cassie feels forced and melodramatic since their relationship was portrayed lovingly in previous MCU films. Visually, the third installment loses the charm of the first two movies by relying heavily on green screen effects that look unconvincing due to time constraints for visual effects artists. M.O.D.O.K., a character in the film, is especially poorly executed. Overall, “Ant-Man and the Wasp: Quantumania” can be easily skipped without missing much of the overarching MCU storyline, as the main takeaway is that Kang is a threat to the multiverse, which was previously established in “Loki.”
“The Flash” was heavily anticipated due to Michael Keaton’s return as Batman. However, the movie fell short of expectations. It was clear that audiences had little interest in a film primarily led by Ezra Miller, who has been involved in controversy and legal troubles. Warner Bros. recognized this and focused its marketing on Keaton’s return as Batman instead of the titular character. The plot follows the Flashpoint comic storyline, where Barry Allen/The Flash goes back in time to save his mother from death, resulting in the alteration of the timeline and the absence of the Justice League. The story has been told multiple times before by DC, better executed in the CW series “The Flash” and an animated adaptation from 2013. Oddly enough, the movie avoids answering the crucial question of who killed Barry’s mom, despite the answer being well-known to the show’s viewers. Instead, “The Flash” reintroduces Zod, a character from the divisive film “Man of Steel,” as the villain, delving back into the Snyderverse that Warner Bros. previously abandoned. The only redeeming aspect of the film is Keaton’s performance, which steals every scene. Fans would have preferred a “Batman Returns” sequel instead of the confusing mishmash we received, as it is unlikely to be integrated into James Gunn’s future DC universe.
“Shazam: Fury of the Gods” received mixed reviews, but it is actually better than they suggest. Despite Shazam’s absence from the upcoming DC universe reset, the sequel is a surprisingly enjoyable continuation that explores the consequences of the first movie’s events. It features stunning shots reminiscent of “Doctor Strange” and delves into the complexities of heroism and worthiness. However, the excessive product placement of Skittles throughout the film, which was incorporated into the plot without being paid advertising, detracts from its overall quality.
“Blue Beetle” is a touching superhero origin story that celebrates Mexican culture and the Latino experience. The protagonist, Jaime Reyes, struggles to support his family due to financial difficulties. After obtaining superpowers through a mysterious scarab, he becomes embroiled in a battle against a villainous businesswoman who wishes to exploit the scarab’s powers. The film emphasizes the strength and resilience of family and community in the face of corporate greed. Although enjoyable, “Blue Beetle” lacks a clear explanation of its superhero’s powers and the origins of the ancient artifact.
“Guardians of the Galaxy Vol. 3” is the best MCU release of the year so far. Director James Gunn concludes the trilogy with a heartfelt tribute to the quirky group of heroes. The focus on Rocket Raccoon’s emotional backstory and his creator, The High Evolutionary, delivers a powerful message about self-acceptance and finding purpose. The film features standout action sequences, including a captivating two-and-a-half-minute one-shot hallway battle. However, the conclusion plays it safe, lacking the risk-taking and potential character deaths that could have elevated the film. The addition of a mean-spirited Gamora feels unnecessary, and the inclusion of Adam Warlock seems forced for future Marvel films.
“Teenage Mutant Ninja Turtles: Mutant Mayhem” may not belong to the DC or Marvel superhero realm, but it is a delightful surprise of the summer. Produced by Seth Rogen and Evan Goldberg, this animated feature tells a heartwarming story about acceptance and the bond of found families. The unique artistic style and fantastic musical cues make it stand out among this year’s releases. The four turtles, with their endearing and relatable personalities, charm audiences from the start.
Finally, “Spider-Man: Across the Spider-Verse” is not only the best superhero movie, but one of the best films of the year. This Sony Pictures Animation production surpasses all other superhero films.
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