may play this rhythm. It’s just about understanding that and the roots of African music and how it’s replicated in the score.“It was just a wonderful experience, and I felt so much support from everyone. And I think that when you put that much passion and heart into it somehow, people will see that if the same is as real as it can get, then magic happens.“And then when we recorded the score in L.A. and mixed it and put it all together, and then we took it to Universal for the first playback. I was just so nervous. My good friends Ludwig Wicki and Leslie Ann Jones, they helped me with the orchestra and the sound, and people at Universal came up to me and said, ‘We’ve not heard anything like that before. This is something completely new.’ And then that leads to what we know came after, the awards and the Grammy, and it was just a… fantastic journey, and it’s so much a big part of my heart.”Göransson’s next big project comes with Oppenheimer, Nolan’s long-developing dramatization of J. Robert Oppenheimer, the tormented mind behind the atom bomb. With the 2023 Oscar nominations expected to be competitive, Göransson’s next Academy walk may be his biggest yet.
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