In Series 2 of AJLT, Carrie (portrayed by Sarah Jessica Parker) is seen flaunting the £650 pigeon clutch bag designed by Irish designer JW Anderson. This unique accessory not only captures fashion’s love for memes but also serves as a not-so-humblebrag. Owning this clutch implies luxury and privilege, as it symbolizes the show’s longstanding reputation for opulence. The resin replica of a pigeon tucked under Carrie’s arm speaks volumes about the character’s status and fashion choices.
In another noteworthy fashion moment, Seema (played by Sarita Choudhury) carries a Hermès Birkin bag in Series 2. This bag even gets its own subplot, as Seema is mugged for it on the Upper East Side, only to find it discarded days later. The irony lies in the thief’s choice to steal cigarettes but leave behind the $30,000 Birkin bag. This incident is a timely plotline, coinciding with the death of Jane Birkin, the bag’s namesake. It further solidifies the Birkin bag’s status as the go-to accessory for conspicuous consumers. Seema’s encounter with the Birkin bag parallels Carrie’s Fendi Baguette mugging in SATC Series 3 and Samantha’s run-in with Lucy Liu’s Birkin bag in Series 4, establishing Seema as a proxy for the missing cast member.
Natasha, Big’s ex-wife, epitomizes the current obsession with quiet luxury. Her style is hyper-lowkey, understated, and exudes a sense of tastefulness. This unassuming fashion trend signifies fashion’s attraction to stealth wealth. Instead of flashy logos, the focus is on details like stitching, seams, fabric quality, and the self-assured manner in which the ensemble is worn. Natasha’s fashion choices contrast with Carrie’s more flamboyant outfits, highlighting their differing personalities and fashion sensibilities.
Carrie’s encounter with a pair of white heels adorned with small red balloons trapped under the strap is another noteworthy fashion moment. The shoes, showcased on the catwalk by Loewe, offer a touch of eccentricity when worn in the fictional world of AJLT. Their meaning is open to interpretation. Do they comment on inflation? Are they a display of Carrie’s knowledge of luxury brands? Or do they represent Carrie’s attempt to cope with grief through fashion? This episode aligns with Carrie’s tendency to use shopping as a means to process her emotions.
Sloganwear has evolved from being glib, optimistic, and earnest to becoming more specific and pointed. Che Diaz, one of the newcomers to the Sex and the City world, makes a statement with their slogan jumper. The jumper serves as a commentary on the cisgender and largely heterosexual norms on which the show was originally built. This addition to the cast introduces much-needed diversity and challenges the status quo.
Carrie’s inclination to wear clothing emblazoned with references to New York newspapers acts as a reminder of her cultural capital. These garments are her way of embodying her identity as a New Yorker who keeps up with local press. Despite the clumsiness in which she displays her knowledge, Carrie’s ability to pull off these fashion statements is unmatched.
Miranda’s grey hair serves as an example of AJLT’s struggle to effectively portray the aging process. In Series 1, hair becomes a point of comparison. Carrie’s dyed hair appears fake, while Charlotte’s attempt to achieve a natural brown look indicates her desire to appear younger. Miranda’s decision to dye her hair back to its original copper color without further exploration is a missed opportunity to address the complexities of aging. It is worth noting that maintaining silver hair requires just as much effort as other hair colors.
The Moncler coat worn by Carrie in Series 2 is an impractical yet extravagant fashion choice. Its oversized silhouette, reminiscent of previous outfits donned by Bradshaw, highlights the excessiveness of the fashion industry. The coat’s high-end twist showcases fashion’s ability to defy practicality even in the face of climate change and extreme weather events. It serves as a symbol of fashion’s indulgence and the industry’s detachment from reality.
Miranda’s shirt, designed by Ghana-based label Osei-Duro, represents her attempt to adapt to a changing world. As AJLT aims to address the lack of diversity in its predecessor, the first series includes clumsy attempts at inclusivity. One example is Miranda’s hesitance to intervene in a mugging, fearing she might be perceived as a “white savior.” Although these attempts may be flawed, Miranda’s shirt serves as a subtle nod to her efforts to embrace a more diverse and inclusive reality.
Aidan’s appearance in the second series of AJLT marks a shift in his character’s style. Known for his affinity for vintage T-shirts and worn-out suede, Aidan now sports a waxed, belted, and buttoned Belstaff jacket. This change aligns with the broader trend of smartening up fashion choices, which can be seen as a response to the relaxed and comfortable loungewear prevalent during the pandemic years. Carrie’s contemplation of whether Big was a mistake is not solely due to the jacket but highlights the power of fashion in evoking emotions and memories.
Carrie revisiting her iconic tutu outfit from the opening credits of SATC in episode 4 is a deliberate connection between the two shows. Sarah Jessica Parker’s background as a ballerina adds a personal touch to this fashion moment. The reissued look, now at a longer length, pays homage to the original while embodying Carrie’s materialistic tendencies.
Denial of responsibility! VigourTimes is an automatic aggregator of Global media. In each content, the hyperlink to the primary source is specified. All trademarks belong to their rightful owners, and all materials to their authors. For any complaint, please reach us at – [email protected]. We will take necessary action within 24 hours.
