Britt Ekland highlights positive changes for Bond girls on set after #MeToo movement

In a recent interview, Britt Ekland, the 80-year-old actress known for her role as Mary Goodnight in the 1974 Bond film “The Man With The Golden Gun,” discussed how today’s Bond films have evolved due to political correctness and the #MeToo movement. She expressed her belief that the term “Bond girl” is no longer appropriate, as the characters are now portrayed as strong women. Ekland acknowledged that while these changes have resulted in a more inclusive and empowering environment for female characters, she believes that the end product is not as enjoyable as the films she was a part of, where the focus was on physical beauty and not necessarily attempting to look sexy.

Ekland also shared her experiences working on the film “The Wicker Man” alongside Christopher Lee, and how the conditions back then were significantly different, lacking the amenities and regulations found in today’s film industry. She reflected on the lack of an intimacy coach during scenes of a sexual nature and the challenges she faced while filming. Ekland believes that the recent #MeToo movement has shed light on a long-standing issue in the industry, but wonders if the current regulations have become too stringent.

Despite the changes brought about by the #MeToo movement, Ekland believes that Hollywood has only slightly evolved. She fondly remembered her time working on “The Man With The Golden Gun” and the relationships she formed with fellow cast members, including Maud Adams and Sir Roger Moore. She mentioned the friendly and humorous nature of the film’s producer, Albert “Cubby” Broccoli, who insisted on the cast and crew sharing Italian meals together. Ekland also explained the struggles she faced regarding her appearance and body image, as she had to balance maintaining a thin figure for her bikini scenes while being encouraged to eat more by Broccoli.

Lastly, Ekland admitted to never being comfortable with watching her own films, citing shyness and a fear of seeing herself on the big screen. She described herself as a perfectionist and expressed her discomfort with critiquing her own performances.

Overall, Ekland’s interview touched on various aspects of her career, sharing insights into the changing landscape of the film industry, both in terms of gender representation and working conditions.

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