Star Wars TV shows have reached a point that was surpassed by Marvel superhero series quite some time ago, with die-hard franchise fans eagerly consuming every new release. However, casual viewers no longer have the time or inclination to blindly commit. So, where does Ahsoka fit in? Is it a thrilling crossover like Andor, The Mandalorian (only seasons one and two!), and the recent episodes of The Book of Boba Fett? Or is it more of a niche title exclusively for the devoted fans, similar to most of Boba, recent seasons of Mando, and all of Obi-Wan Kenobi?
After a double bill introducing the new adventures of Ahsoka Tano (played by Rosario Dawson), it’s hard to determine. Ahsoka indeed has glimpses of the excitement that made Andor and the early Mandalorian so captivating. However, it suffers from the same flaw that tarnishes some Star Wars content: it becomes so fixated on franchise lore that it takes our interest for granted.
Our protagonist, Ahsoka, is a former apprentice to Anakin Skywalker, who later becomes Darth Vader. Unlike her master, she hasn’t succumbed to the Dark Side. However, defining Ahsoka’s character can be challenging. She exists as a mentor, vigilante, and problem solver, exuding a composed but stern demeanor in an era of delicate progress. The oppressive Galactic Empire has fallen, but concerns about its resurgence remain. Ahsoka’s mission is to locate and neutralize Grand Admiral Thrawn, an exiled loyalist of the Empire. She discovers that an ancient map holds the key to his hiding place. As malevolent mercenaries, displaying Jedi-like abilities, show an interest in the map as well, a race against time begins. Yet, it’s not a fast-paced race by any means.
Ahsoka takes place in a distant galaxy that hasn’t yet received the memo on the screenwriting maxim of starting scenes late and leaving them early. For instance, there’s a sequence where Ahsoka explores an abandoned underground hub on a desolate planet. This dilapidated lair, like everything else in the show, boasts exquisite design, instilling Indiana Jones vibes as hidden trapdoors are unveiled, sand-concealed artifacts are discovered, and stone obelisks are manipulated to unleash their enigmatic powers. However, these events unfold at such a leisurely pace that if you’re not fully committed to savoring every little detail Ahsoka offers – considering enthusiasts have spent over a decade witnessing the character’s development in Clone Wars and Rebels – you might question why you just watched several minutes of a woman searching for a map.
Eventually, a group forms, although it involves a lot of gazing at visually stunning CGI backgrounds and characters walking around aimlessly before taking action. Ahsoka’s need for assistance in deciphering the map leads her to take a chance on her talented yet unstable former protegee, Sabine Wren (played by Natasha Liu Bordizzo). More reliable support comes from Hera Syndulla (portrayed by Mary Elizabeth Winstead), a high-ranking officer in the benevolent New Republic.
The potential lies within this all-female trio to deliver a nuanced, character-driven space adventure, as the maternal Ahsoka and aunt-like Hera strive to nurture Sabine’s untamed warrior abilities. Although Ahsoka remains somewhat enigmatic – occasionally resembling a sitcom mother, conveying silent exasperation at the foolishness around her – and Hera’s distinctive trait so far is her green complexion, the dynamics are present. The show doesn’t shy away from breathtaking action either, with Sabine’s impulsive nature leading to thrilling hoverbike duels and chase sequences. Ahsoka regularly showcases her cool skill of wielding her lightsaber in a reverse grip. Furthermore, a visit to a bustling port provides Andor-like insights into the perpetual struggle of combating fascism. It becomes evident that while the Empire no longer controls the port, not everyone who runs it has embraced a new, enlightened path.
All the building blocks are in place if the show remembers that the essence of Star Wars lies in its fast-paced and enjoyable nature rather than a slow and serious tone. Another missed opportunity arises with the character Huyang, a droid voiced by David Tennant (reprising his role from Clone Wars). Huyang adopts the persona of a caring yet meticulous butler, reminiscent of Jeeves from PG Wodehouse’s stories and Kryten from Red Dwarf. However, in a show where characters often stand around explicitly discussing important information when a scene requires it – neglecting the “show, don’t tell” storytelling approach – Tennant frequently finds himself delivering unfunny lines in a comedic voice. Much like everything else in Ahsoka, there is the potential for him to truly shine and entertain us if given the freedom to do so.
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