Leave it to the late gonzo journalist, Hunter S. Thompson, to introduce a mind-bending theory about the psychedelic properties of oxidized adrenaline that would eventually be linked to a conspiracy theory surrounding a blockbuster film about child sex trafficking. Even Thompson’s imaginative mind could not have predicted these developments, as seen in his 1971 masterpiece, “Fear and Loathing in Las Vegas.” He understood the human capacity for self-delusion and mass confusion, and current events prove him right.
The breakout indie film, “Sound of Freedom,” is a peculiar creation in itself. Though made on a low-budget five years ago, it was recently discovered by Angel Studios and released on July 4. Starring Jim Caviezel, known for his portrayal of Jesus in “The Passion of the Christ,” the film has earned $100 million and gained popularity through unique marketing strategies and support from prominent conspiracy theorists like Stephen K. Bannon and Donald Trump.
QAnon, an extremist group led by the anonymous figure “Q,” has promoted the idea that Hollywood and political elites engage in child trafficking to obtain adrenochrome, which they believe has anti-aging properties when consumed along with children’s blood. While this theory has been debunked by the scientific community, it hasn’t stopped conspiracy theorists from embracing it. It’s even endorsed by Caviezel, who has spoken to QAnon audiences and highlighted the alleged importance of adrenochrome.
It’s unfortunate that QAnon and other right-wing extremists have attached themselves to a film that tackles such a distressing subject. However, “Sound of Freedom” is based, albeit loosely, on a true story and addresses a crucial issue. The real-life story follows Department of Homeland Security special agent Tim Ballard, who decided to combat child sex slavery rather than solely pursue traffickers. Teaming up with other former government operators, including “Batman,” who was once involved with drug cartels, they aimed to rescue and liberate children while exposing the criminals involved.
The film’s theme, “God’s children are not for sale,” aligns with the real-life dedication of Ballard and Batman to protect vulnerable children. Together, they strategize and take risks to catch the perpetrators and bring freedom to those affected, mostly young girls. The phrase “sound of freedom” refers to the music the children create when they are finally liberated. I encourage you to watch the film and experience its impact firsthand. As a critic, I prefer to immerse myself in the director’s vision and allow their storytelling to take hold.
“Sound of Freedom” captivated me from the very first shot, focusing on a little girl tapping a mesmerizing rhythm on a cardboard box and singing with angelic grace. While I couldn’t ignore the exaggerated portrayal of the villains, the audience didn’t seem to mind. Donald Trump might have seen them just as he views migrants crossing the U.S.-Mexico border. This movie isn’t suited for children and can be difficult to watch. The audience in the North Carolina theater where I viewed it consisted mostly of older individuals, many of whom appeared sympathetic to MAGA ideals.
I had planned to interview some of my fellow moviegoers but decided against it when I saw their worn-out faces and empty eyes leaving the theater. The film had clearly touched them deeply, and I shared their somber mood.
Those who stayed until the end were rewarded with a message from Caviezel, urging them to buy tickets for others. He emphasized the staggering statistics surrounding child sex trafficking, an industry worth over $150 billion that surpasses the illegal drug and gun trades. He suggested that this film has the potential to do for child sex trafficking what Harriet Beecher Stowe’s “Uncle Tom’s Cabin” did for slavery.
Using the power of storytelling to combat evil is a compelling motive for making a movie. However, this film’s message stands on its own merits and doesn’t need the added hype from QAnon and their dubious claims. Thompson once famously said, “when the going gets weird, the weird turn pro,” and “It never got weird enough for me.” If only he were still here to witness today’s strange times.
Denial of responsibility! VigourTimes is an automatic aggregator of Global media. In each content, the hyperlink to the primary source is specified. All trademarks belong to their rightful owners, and all materials to their authors. For any complaint, please reach us at – [email protected]. We will take necessary action within 24 hours.
