Film festivals can be unpredictable. With a diverse range of movies competing for attention, it’s hard to know which ones will stand out. Typically, TV shows don’t have a place at these events, but this year’s Tribeca Film Festival was different. Out of the 109 feature films screened, TV stole the spotlight with its unique and captivating storytelling.
The feature lineup had potential, with documentaries about notable figures like Patricia Field and Gloria Gaynor, as well as dramatic films starring actors like Pam Grier and Tessa Thompson. However, many of these films fell into the trap of empty fan service. While some features, such as Georden West’s “Playland” and Cody Lightning’s “Hey Viktor!”, had interesting premises, they didn’t quite deliver remarkable outcomes.
Among the features, there were a few standout films worth noting. Numa Perrier’s “The Perfect Find” and Nathan Morris’ “My Eyes Are Up Here,” featuring Gabrielle Union and Jillian Mercado respectively, offered fun and breezy romantic stories. Alex Wolff also impressed in the fraternity drama “The Line.” While films like Randall Park’s “Shortcomings” and Tim Story’s “The Blackening” aimed for subversive comedies with racial subtext, they fell short of truly breaking new ground.
On the other hand, the TV shows at the festival delivered surprising, bold, and satisfying stories. Two standout series were “Diarra from Detroit” and “The Horror of Dolores Roach.” These shows have already been acquired by BET+ and Prime Video, respectively. Without revealing too much, both shows offer unexpected, darkly entertaining narratives with talented women of color in the lead roles.
It’s interesting to see TV shows making an impact at a festival known for independent filmmaking. This year’s Tribeca Festival has generated less online buzz compared to other major festivals, possibly due to lingering concerns about the pandemic and a lack of inspiring offerings. However, it’s worth noting that TV shows are gaining prominence, attracting top-tier talent to the small screen. In the case of “Diarra from Detroit” and “The Horror of Dolores Roach,” their quality and storytelling prowess cannot be ignored.
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