On September 26, 1969, John Schlesinger’s first American film, Midnight Cowboy, premiered at the London Pavilion. The film had already received rave reviews in the United States, and people were calling it a masterpiece. This reminded me of another film, Darling, which received similar immediate reactions but turned out to be overblown and flashy. However, Midnight Cowboy seems to be different. It is a better piece of work than Darling and can be considered Schlesinger’s personal masterpiece. It delves deep into the truth, capturing both minor and major details. It’s amazing how an outsider can understand the tensions of a household better than the people living in it. Schlesinger has not only captured a slice of America on film but exceeded expectations.
Death in Venice, released on March 4, 1971, based on Thomas Mann’s novella, might not appeal to everyone. The story revolves around an elderly man’s platonic love for a young boy, and not much happens throughout the film. It is slow, precise, and beautiful, a reflection of the masterful craftsmanship of director Visconti. Despite the lack of action, Death in Venice surpasses the majority of films showing in London at the moment.
On September 28, 1972, Deliverance hit the screens, directed by John Boorman. What sets this film apart is its gripping storytelling. In an era where many films lack narrative drive, Deliverance is a refreshing change. It is not purely a commercial endeavor but an allegory about America and Americans. Deliverance is not only good to watch but also thought-provoking.
Released on May 3, 1973, Andrei Tarkovsky’s Solaris is a grand film that should not be compared to Kubrick’s 2001. It is an adaptation of Stanislav Lem’s story and relies on minimal gadgetry to intrigue the mind rather than the body. The pacing is slow yet inexorable, immersing the audience in a labyrinthine and hallucinatory experience. The film follows a space scientist sent to investigate peculiar happenings on Solaris, an ocean that manipulates human minds. Tarkovsky’s film demands full engagement from the viewers.
Jaws, directed by Steven Spielberg, was released on December 22, 1975. It is a masterful piece of entertainment that needs no excuses. While there may be better films out there, Jaws is a well-crafted cinematic equation that surprises and keeps you engaged. It strikes a balance between providing unexpected thrills and building anticipation.
On December 16, 1975, the highly anticipated Star Wars hit the screens. It brings an immense amount of joy, not only to boys but also to girls, women, and everyone in between. Director George Lucas, known for American Graffiti, may not be considered a genius by all, but Star Wars is undeniably a success. While it may not be the best film of the year or the greatest sci-fi film ever made, it has captivated audiences and defied market trends.
Martin Scorsese’s Taxi Driver, released on August 19, 1976, is a parable of the New York streets that has taken the box office by storm. It reflects a part of America with remarkable accuracy, leaving a lasting impact. It is not a film that explains America but one that demands attention and hits the audience between the eyes.
Ridley Scott’s Alien, released on September 6, 1979, is a cinematic experience that will physically and emotionally impact viewers. It offers palpable, nerve-straining shock that rivals The Deer Hunter. Alien is an audience reaction picture that draws people in through its intense storytelling. It is a must-see for those seeking an adrenaline rush.
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