Sabrina Wu, a nonbinary stand-up comedian, recently made their movie debut in “Joy Ride.” Their character, Deadeye, underwent significant changes from the original script. Wu believes that comedy has the power to bring people from diverse backgrounds together. They sat down with Insider to discuss their role in “Joy Ride,” how they transformed Deadeye into a relatable character, and the impact of comedy on their worldview.
In “Joy Ride,” released on July 7, Wu’s performance has garnered positive reviews despite the film’s R-rated comedy genre. They express pride in the film they made, even if it hasn’t reached Middle America yet. Wu values quality over popularity and prefers to be known for a great film rather than a terrible one that gains wide recognition.
Personally, “Joy Ride” holds a special meaning for Wu. The script reminded them of their high school days when they first ventured into stand-up comedy. Wu recalls a controversial performance they gave at a women’s health fundraiser, showcasing their commitment to honesty and self-expression. They view “Joy Ride” as an honest, real, and raw representation of Asian humor, offering a glimpse into the potential for commercially successful R-rated comedy films featuring Asian talent.
Comedy has always played a central role in Wu’s life. As a child, they were drawn to being captivating and amusing to others. Wu appreciated the freedom and control that comedy offered as both a writer and performer. They believe that comedy offers insights into human nature and the potential for unity among diverse individuals. Although it can be daunting to be the only Asian person in a room, Wu views comedy as a powerful remedy, bringing people together beyond their differences.
Regarding their portrayal of Deadeye in “Joy Ride,” Wu initially saw their character as a quirky figure with random lines. However, they wanted to add depth and authenticity to Deadeye’s role. Drawing from their own experiences in middle school, where they used beatboxing and dancing to win acceptance, Wu sought to explore the character’s loneliness and desire for friendship. By developing Deadeye as a misunderstood and non-conforming individual named Vanessa, Wu transformed them into a sweet and compassionate character that became the heart of the group.
Wu’s involvement in “Joy Ride” wasn’t certain until a week before shooting began. The studio was unsure if Deadeye had a place in the story, but Wu’s portrayal convinced them of the character’s importance. Through rewriting and reimagining, Deadeye ultimately emerged as the glue that held the group together, showcasing their growth and personal journey.
When considering the progress of Asian Americans in the comedy industry, Wu acknowledges a handful of prominent names like Ali Wong and Margaret Cho. Culture in America is currently in a tumultuous state, making it challenging to determine the direction things are heading. Wu believes that visibility alone does not equate to liberation, as it often comes with backlash and anti-trans sentiment. However, within their small Brooklyn community, Wu witnesses the power of connection and support among queer and trans individuals. They also express gratitude for the overwhelming support of the Asian community for “Joy Ride,” which indicates a sense of unity and collaboration. Overall, Wu sees potential for growth and increased connectedness within the Asian American comedy landscape.
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